THE VINTAGE CLARINET DOCTOR
  • Home
    • About Us
    • Clarinet Donations
    • Why Vintage Clarinets?
  • Before and After
  • Contact Us
  • Learn
    • Blog
    • Clarinet Lengths
    • Clarinet Makers
    • Fingering Systems
    • Links
  • Shop
    • Clarinets >
      • Vintage Jacques Albert Fils Brussels Bb Boehm Clarinet
      • Vintage Buffet Crampon Academy Model Bb Boehm Clarinet
      • Vintage Fernand Chapelain Bb LP Albert System Clarinet
      • Vintage Siour Chapelain Paris Bb Boehm Clarinet
      • Vintage Couesnon & Cie A Paris Bb Boehm Clarinet
      • Vintage J. Gras Paris Bb Boehm Clarinet
      • Vintage Lacroix C LP Albert System Clarinet
      • Vintage Leblanc CB Bb Boehm Clarinet
      • Vintage Leblanc Noblet Bb Boehm Clarinet​
      • Vintage Rampone Cazzani Bb Boehm Clarinet
      • Antique Henri Selmer Bb Boehm Clarinet
      • Vintage Triebert C LP Albert System Clarinet
    • Flutes
    • Mouthpieces
    • Saxophones >
      • Vintage Dolnet Series II Bb Tenor Saxophone
      • Vintage Holton Model 201 Eb Alto Saxophone
      • Vintage Kohlert Eb Alto Saxophone
  • Services
    • FAQ
    • Services II - Technical Info
  • Testimonials

The Grenadilla Myth Pt. 2

10/9/2013

0 Comments

 
 To continue:

 Yes, there are terrible metal and hard rubber clarinets out there: There are also hideous wood instruments, as anyone who has played a post WWII East German/ Soviet made horn with pot-metal keys can attest! However, the mitigating factors always seems to be quality of construction and attention to set-up rather than the material - I offer Tom Ridenour's pro line of Hard Rubber instruments, and vintage metal instruments by Noblet, H. Bettoney or Penzel Mueller as evidence. Tom's instruments have received a lot of kudos for pro quality detailing (like tone-hole undercutting) and, having discarded increasingly expensive and hard to find grenadilla, they are available for less than half the cost of the fabled R-13.

  I suspect the factors that initiated the sub-par reputation of a lot of better metal/hard rubber clarinets were: poor mouthpieces and shoddy pad work. If the mouthpieces that have come stock with a number of my acquisitions are anything to go by, Martin Frost at his best would be hard-pressed to draw good music from their narrow tips and uneven facing! Original pad-work shows signs of being equally hurried, in some cases, with cheap pads poorly seated and opening heights at the mercy of whatever cork was on sale that week. Now, take that same horn, overhaul it conscientiously with leather pads and attention to setup and play it with a decent mouthpiece and I suspect you will be pleasantly surprised!

 To be continued!

0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    Archives

    June 2022
    April 2022
    May 2021
    August 2020
    July 2020
    March 2020
    February 2020
    December 2019
    November 2019
    October 2019
    August 2019
    July 2019
    June 2019
    April 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    January 2018
    December 2017
    November 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    January 2017
    December 2016
    November 2016
    August 2016
    July 2016
    June 2016
    May 2016
    March 2016
    February 2016
    December 2015
    November 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    December 2014
    November 2014
    May 2014
    December 2013
    October 2013
    September 2013
    June 2013
    May 2013
    April 2013
    March 2013
    January 2013
    November 2012

    Picture

    Author

    The Licorice Shtick Blog is the creation of the Vintage Clarinet Doctor, a Winston Salem, NC based woodwind instrument repair shop specializing in vintage and antique clarinets, saxophones, and the occasional flute.

    Categories

    All
    Clarinet
    Mouthpiece
    Reed
    Saxophone

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
    • About Us
    • Clarinet Donations
    • Why Vintage Clarinets?
  • Before and After
  • Contact Us
  • Learn
    • Blog
    • Clarinet Lengths
    • Clarinet Makers
    • Fingering Systems
    • Links
  • Shop
    • Clarinets >
      • Vintage Jacques Albert Fils Brussels Bb Boehm Clarinet
      • Vintage Buffet Crampon Academy Model Bb Boehm Clarinet
      • Vintage Fernand Chapelain Bb LP Albert System Clarinet
      • Vintage Siour Chapelain Paris Bb Boehm Clarinet
      • Vintage Couesnon & Cie A Paris Bb Boehm Clarinet
      • Vintage J. Gras Paris Bb Boehm Clarinet
      • Vintage Lacroix C LP Albert System Clarinet
      • Vintage Leblanc CB Bb Boehm Clarinet
      • Vintage Leblanc Noblet Bb Boehm Clarinet​
      • Vintage Rampone Cazzani Bb Boehm Clarinet
      • Antique Henri Selmer Bb Boehm Clarinet
      • Vintage Triebert C LP Albert System Clarinet
    • Flutes
    • Mouthpieces
    • Saxophones >
      • Vintage Dolnet Series II Bb Tenor Saxophone
      • Vintage Holton Model 201 Eb Alto Saxophone
      • Vintage Kohlert Eb Alto Saxophone
  • Services
    • FAQ
    • Services II - Technical Info
  • Testimonials